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C21 Interview: Producer and director David Semel (HEROES) reveals what it is like to work on series for new players such as Amazon or Netflix compared to more traditional broadcasters

C21 Interview: Sandra Ouassis, Consultant to Newen, about possibilities of European coproduction and changes of the local market

French screenwriter Coline Abert talks about what made the hit Drama "The Returned" special and why European drama is riding the crest of a wave right now.

Jonas Anschütz, manager of business affairs at Red Arrow Entertainment Group, talks about the differences between working with Netflix and Amazon.

Nick Brown, director of film and TV at Sam Mendes-founded indie Neal Street Productions and former BBC director of UK drama, talks about hit shows including Call the Midwife, and which new drama is most likely to succeed.

Glen Mazzara, whose credits include The Walking Dead and The Shield, explains how the role of showrunnner has changed over the years and why he's adapting 1976 horror flick The Omen for Lifetime.

Ruud van der Heyde of Dutch production company Noa Entertainment, talks about his life in TV and film production, focussing on families and children, international co-productions and what makes working out of Amsterdam special.

THE C21 INTERVIEW: Eric Taelman, creative producer at Belgium`s VRT, tells C21 about the changing Flenish television landscape and what the public broadcaster has in the pipeline for next season. Recorded on occasion of the European TV Drama Series Lab 2012 (www.tv-lab.eu) Courtesy of C21 Media in collaboration with Erich Pommer Institut and MediaXchange.

THE C21 INTERVIEW: Horst Stipp, exec VP of global business strategy at the Advertising Research Foundation, tells C21 that much of the talk of media revolution is unfounded and the old models still work. Recorded on occasion of the European TV Drama Series Lab 2012 (www.tv-lab.eu) Courtesy of C21 Media in collaboration with Erich Pommer Institut and MediaXchange.

THE C21 INTERVIEW: Ivan Spassov, creative producer and head writer of top Bulgarian series Citizens in Excess, tells C21TV about the rapid changes the country`s broadcast landscape has been through in the past decade, the impact of Time Warner`s investment in CME and its station bTV. Recorded on occasion of the European TV Drama Series Lab 2012 (www.tv-lab.eu) Courtesy of C21 Media in collaboration with Erich Pommer Institut and MediaXchange.

THE C21 INTERVIEW: Danish movie producer Karoline Leth tells C21TV about her TV series Rita, how broadcasters in the country are steering development, and contrasts the US and Scandinavian markets. Recorded on occasion of the European TV Drama Series Lab 2012 (www.tv-lab.eu) Courtesy of C21 Media in collaboration with Erich Pommer Institut and MediaXchange.

THE C21 INTERVIEW: Anders Tangen, producer of Norwegian comedy-drama hit Dag, tells C21 how he's working on season three of the TV2 show, while Fox TV Studios develops a US version. Tangen is also developing a Dag movie but says viewers simply don't have time to visit the cinema these days. "This is one reason why TV drama is so popular, you can watch an episode and carry on with what else you do in the evenings," he says. Dag is about a therapist who falls in love with one of his patients. Recorded on occasion of the European TV Drama Series Lab 2012 (www.tv-lab.eu) Courtesy of C21 Media in collaboration with Erich Pommer Institut and MediaXchange.

THE C21 INTERVIEW: Emmo Lempert, head of series at Studio Hamburg, tells C21 about the German market for telenovelas, and how he's now looking around Europe for drama coproduction opportunities. Lempert oversees one of Germany's biggest telenovelas, daytime soap Red Roses (Rote Rosen) on ARD, which has clocked up more than 800 episodes. "I'm now looking to develop a detective series for Europe," he says. Recorded on occasion of the European TV Drama Series Lab 2012 (www.tv-lab.eu) Courtesy of C21 Media in collaboration with Erich Pommer Institut and MediaXchange.

THE C21 INTERVIEW: Veteran British television writer Stephen Gallagher cut his teeth on the "classic" Doctor Who series back in the early Eighties. Now pitching a project based on his novel White Bizango (about a cult crimes unit) in the US, he talks to C21TV about how audiences have changed over the years and what European drama can learn from American technique. Gallagher, having just penned two episodes of the ongoing BBC procedural Silent Witness cites the fact that writers command more respect in the US as one reason for the higher quality productions. He says "I've never been on a UK show where the writer has a parking space", perhaps one reason why so much creative talent heads West. He has himself had success Stateside with Eleventh Hour remade for CBS. Recorded on occasion of the European TV Drama Series Lab 2012 (www.tv-lab.eu) Courtesy of C21 Media in collaboration with Erich Pommer Institut and MediaXchange.

THE C21 INTERVIEW: Peter de Maegd, producer at Belgium's Caviar Films, tells C21 about his upcoming transmedia series The Spiral, which mixes crime drama with audience participation. The 5x60' series is a coproduction between seven TV channels and is also an online game. It launches in 10 territories this Sunday. De Maegd also talks about what TV can learn from film in terms of coproduction models and character development. Recorded on occasion of the European TV Drama Series Lab 2012 (www.tv-lab.eu) Courtesy of C21 Media in collaboration with Erich Pommer Institut and MediaXchange.

THE C21 INTERVIEW: Sven Clausen, executive producer at Danish pubcaster DR, tells C21 how forging a close relationship between film and TV allowed the creation of hit franchises like The Killing. Clausen, who has been developing long-running European drama for 30 years, reflects on how his visit to the US in the 1980s to meet showrunners of NYPD Blue and Hill Street Blues made him realise how his channel was "doing it all wrong" and led to a new production model. Recorded on occasion of the European TV Drama Series Lab 2012 (www.tv-lab.eu) Courtesy of C21 Media in collaboration with Erich Pommer Institut and MediaXchange.

THE C21 INTERVIEW: Klaus Zimmermann, CEO of Atlantique Productions, tells C21 about what he learned from Borgia and how the Euro drama market is moving from national to international production Recorded on occasion of the European TV Drama Series Lab 2012 (www.tv-lab.eu) Courtesy of C21 Media in collaboration with Erich Pommer Institut and MediaXchange.

THE C21 INTERVIEW: Axel Böhm, director of sales and fiction acquisitions for CEE, Italy and Spain at Red Arrow International, tells C21TV about the increasing complexities of financing shows such as Lilyhammer, Jo (fka Le Grand) and Restless. Recorded on occasion of the European TV Drama Series Lab 2012 (www.tv-lab.eu) Courtesy of C21 Media in collaboration with Erich Pommer Institut and MediaXchange.

THE C21 INTERVIEW: Anne Bjørnstad, co-creator of Norwegian drama Lilyhammer, tells C21 how the NRK series came about and what the Netflix deal means for Scandi drama. Bjørnstad also says how the US showrunner production model is the envy of Norwegian producers but "it would be impossible to implement in Europe." NRK, Netflix and Rubicon TV are currently producing a second season of Lilyhammer. Recorded on occasion of the European TV Drama Series Lab 2012 (www.tv-lab.eu) Courtesy of C21 Media in collaboration with Erich Pommer Institut and MediaXchange

This EPI Talk is presented by the Erich Pommer Institut. It was shot on the occasion of EPI's "European Co-Production: Legal and Financial Aspects " Seminar in Berlin/Germany in October 2011. www.epi-media.eu Lene Borglum is an experienced Danish producer who worked for Zentropa for many years. Her credits include Dogville and Valhalla Rising (both as Executive Producer). In 2008, she co-founded the production company Space Rocket Nation together with Danish director Nicolas Winding Refn. Talks about: - Find suitable co-producing countries - where the film can be shot/ do postproduction - Find possible partners within these countries - that you like and can communicate with, and who understand your project - Find potential financiers within these countries - that are likely to support the project - Put together the puzzle and produce the film

This EPI Talk is presented by the Erich Pommer Institut. It was shot on the occasion of EPI's "European Co-Production: Legal and Financial Aspects " Seminar in Berlin/Germany in October 2011. www.epi-media.eu Marco Valerio Pugini, President of Panorama Films, is an experienced line producer and producer based in Italy. His latest credits include the Series Rome for HBO (Co-executive producer), Spike Lee's Miracle at St.Anna (Executive producer) and Marco Pontecorvo's debut film Pa-ra-da (Producer).

This EPI Talk is presented by the Erich Pommer Institut. It was shot on the occasion of EPI's "European Co-Production: Legal and Financial Aspects " Seminar in Berlin/Germany in October 2011. www.epi-media.eu

This EPI Talk is presented by the Erich Pommer Institut, Shareplay and Filmby Aarhus. It was shot on the occasion of EPI's "Digital Distribution Strategies" Seminar in Aarhus in June 2011. www.epi-media.eu